The Amparo Mining Company:
Bonanza to Bust
By John Pint
Several of Mexico's richest gold and silver mines were located near the
town of Etzatlán, Jalisco, which lies 70 kilometers west of
Guadalajara. They were operated by an American concern, the Amparo
Mining Company. Over the years I've collected stories about the
extraordinary prosperity which the mines brought not only to the
foreign managers, but to the miners as well, all of whom appeared to
have formed one big, happy family.
The only fly in the ointment was the fact that most of those miners
went on strike in 1926, which eventually resulted in the closing of all
the mines in the hills above Etzatlán. The miners had high salaries,
free housing, free education, two supermarkets offering the finest food
and clothing in the whole country, a first-class hospital, baseball,
several orchestras, soccer, basketball, volleyball, electricity (before
any town in the area) and even their own theater where they could watch
silent movies, talkies, operas and concerts by the greatest artists of
the day.
So why did they march off in protest to Mexico City behind leftist
organizer (and famous muralist) David Alfaro Siqueiros?
Well, at long last I found some answers to my questions in a newly
published book by the historiador of Etzatlán, Carlos Enrique Parra
Ron. The title is “Don Faustino... del Amparo al Desamparo,” which
might roughly be translated as “Don Faustino... Amparo from Bonanza to
Bust.”
Don Faustino Hernández was, says Parra, a man over 80 years old who one
day walked into his office and proudly announced “that he had been born
and bred in the legendary mining town of Amparo and that he was willing
to collaborate with me in the intriguing task of rescuing fragments of
the extraordinary history of that enigmatic enterprise.”
In the book, Don Faustino describes what went on inside the mines in
his day. The drillers, he said, would go down to the very end of the
tunnels with their helpers. Here they bored holes which they filled
with dynamite. Then, when the fuses were lit, they would shout, “¡Ya
está pegado!” which meant “Run for your lives!”
After
the explosions, the “tenateros” would go in with big, bag-like,
containers made of crude leather with a long strap that went around the
tenatero's forehead. They would fill the bags with rocks and lug them
up notched-tree-trunk “ladders” until they reached the outside.
Here,
the chunks would be broken up and the ore containing metal would be
separated from simple rock and transported via an aerial tramway to Las
Jiménez. Two kilometers southeast as the crow flies.
At Las Jiménez, the ore was ground into powder and transformed into
silver and gold ingots, except for a few grams which were minted into
coins to pay the miners. The ingots were then trucked (with eight men
guarding them) to the Etzatlán train station, from which they went off
to Guadalajara and other points in Mexico and the USA.
“In the early days,” declared Don Faustino, “these mines were dangerous
and caused numerous deaths. The tenateros were constantly running risks
with never a chance to rest. They were treated as subhumans, breathing
God-knows what kind of air, under the threat of collapses in which they
would either be trapped or torn to pieces.”
Don Faustino adds that the “patrones” would hire children even below
the age of 12 to be tenateros, obliged to carry their leather
containers of rocks through the dark, humid, hot mine shafts,
occasionally dragging them through narrow crawlways.
“Many of these workers,” continued Don Faustino, “only lasted five or
six years in the mine and ended up as what we called 'cascados' or
'broken men': pallid, coughing and unable to work. We thought they had
contracted pneumonia from the drastic change of temperature between the
hot, humid mine shafts and the cool outside air. They were considered
retired, but would still receive their salaries. We would see them
sitting around, totally exhausted and coughing and coughing.”
Today, it's known that what those miners had been suffering from was
acute silicosis, which develops after exposure to high concentrations
of breathable silica dust, which is a bit like ground glass. This
results in severe shortness of breath, cough, fatigue, fever, chest
pain, “blue skin,” and weight loss, often leading to death. Victims of
acute silicosis are particularly susceptible to tuberculosis infection,
possibly because the silica damages the white blood cells which would
normally kill the bacteria that cause TB.
“So,” says Don Faustino, “those miners who had once been well loved
were now shunned, because people thought what they had was contagious.
Little by little they would fade away, leaving their families in dire
straits because the compensation their survivors got from the company
was pitiful.”
Apart from the interviews with Don Faustino, Carlos Parra's new book
contains eight pages on the unionization of the miners and the end of
mining operations at and around Amparo. This information was provided
by another informant, closely involved in the final stages of Amparo's
history, Don Emilio Balbuena.
It seems that in 1926 two competing unions had been formed at Amparo,
one called Los Rojos (The Reds), organized by David Alfaro Siqueiros,
and the other Los Polveados (Those Covered with Dust). Somehow, the
leader of Mexico's National Union of Miners, Filiberto Ruvalcaba,
managed to get the two to work together and ask the management for a
salary increase. This the company flatly refused, stating that the mine
was no longer producing high yields.
So, the miners went on strike and stayed on strike for five months, but
the company refused to bend. Then Ruvalcaba suggested they take their
disagreement with the “Gringos” to Mexico City, directly to Los Pinos,
and the miners agreed. At three in the morning, 400 of them set off on
foot from Las Jiménez, reaching Teuchitlán at 10 AM.
“We sat down under shady Guamuchil trees,” says Balbuena, “and heated
up our tacos. Then we kept walking to Tala where we stopped to sleep.
Up again at 3:00 AM, we continued on our way to La Primavera where we
took a rest. But when we started walking again, the older miners and
the cascados began to lag behind.”
The first of the strikers to reach Guadalajara sent 20 taxis back to
pick up the old and the infirm and then, rallying at La Minerva
Glorieta (roundabout), the miners marched down Avenida Vallarta four
abreast “in an endless line” to the Social Security Clinic at Agua
Azul, which became their temporary home. Here other unionized workers
brought them a cow to eat and a giant copper cazo to cook it in and the
governor pledged to come to their assistance.
Says Balbuena: “Our leaders then went to an arbitration facility in the
D.F. where they passed several weeks fighting against the
representatives of the mining company. Finally, Señor Ruvalcaba called
us, saying the company had refused to grant our petitions and we should
get our things together because early the next morning we were all
going to march on the capitol. But the next day, just as we were about
to leave, he called again to announce that the mining company had
finally agreed to give us not only compensation, but the mine as well.
The railroad union then arranged to get all of us back to Etzatlán and
the day after our arrival, we held a big meeting to choose a Board of
Directors, because from that moment we were nuestros propios patrones,
our own bosses.”
Don Emilio's account of what subsequently happened to the mine in the
hands of the union is just as full of pathos, exhilaration, greed,
betrayal and tragedy as the first part of its history, but I have no
more room to tell it. Suffice it to say that—thanks to this information
published by historian Carlos Parra—it has been revealed that the Saga
of the Amparo Mines has all the ingredients—and then some—for a
blockbuster movie, with enough of a dark side even to merit the
interest of that master of horror, Guillermo del Toro. Are you paying
attention, Memo?
Don Faustino Hernández died in Guadalajara in 2015, just days short of
his 86th birthday. Carlos Parra's office is in the restored Etzatlán
train station, which also houses the Mining Museum.
Children's orchestra at El Amparo.
If you like this article check out "A Visit to Amparo."
Text and Photos © 2019 by John & Susy Pint unless
otherwise indicated.
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